From a musical standpoint, The Dawnbreakers (in my opinion) sounded much like the Mommas and the Poppas. Their recordings came together with the songwriting and string arranging of Bob Alcivar. Bob worked extensively with the 5th Dimension, and would go on to score and arrange with Seals & Crofts and several others. He would figure prominently in at least three Tom Waits albums.

It isn't clear to me whether the Dawnbreakers cut a full length album. Their most visible production was a 45 of "Hear Me Now"/"Looking For Evergreens". These songs are highly rhapsodic. Dash's tenor can be heard clearly through the din of over-production. Regardless of the value of this music, it was a defining time for all the musicians. Jimmy and Dash wrote many of their early songs at "Marcia's Place," with the Bahá'í scriptures providing a flood of inspiration for them. In addition to the lyrical turn, Seals & Crofts forged a new sound on their guitar and mandolin that combined folk, rock, classical and arabescue themes. Dash believes the first of these many songs was "Sea of Consciousness," which would appear on their first album. Bob Alcivar's orchestral scores were very dreamy and understated on that first Seals & Crofts album. Same people, radically different kind of music.